A "tale" about Suhair El Bably and the theater stage.

(An article written by Osama Al Shathly)The audience departs the theater, the last worker leaves and closes the doors behind him, then, the stage wakes up. Yawns, stretches and shakes off the dust, sorrow and pain. Never cries as it believes in its own holiness. Very aware of its own power and knows that it's going through a vulnerable stage that will soon be over. Soon, it will return strong and impressive. The most recognizable awakening sign is hearing the foot steps walking above, the whispers of the prompter and the sound of the curtains being pulled and only in Egypt it sees "Suhair El Bably".Suhair, the actress who is born a star of the stage; where just being around her audience bursts her inner power and unlimited talent. Being away from that remarkable atmosphere to work in films or series; withers that flower as she is pulled out of her home land. The stage wakes up, calls out on its first lady. The lady who cuddles it in "Madrasat El Moshaghibeen" as Effat Abd El Kereem, where she reminds everyone how great it is to bring out new stars to the theater and how it is always a starting point, then the stage smiles and refreshes. The lady who made it cry by playing a deceived woman in "Ala El Raseef", and taught it the love of country, and how some people have stolen it long time ago, then the stage learns to be a scream in the face of injustice and corruption. The lady who danced with it in "Raya w Skeena" by playing "Skeena", then the stage had curved one of the biggest crimes in the history of Egypt into a musical comedy. An unlimited stage power of creativity and innovation.But, the lady left. The stage stops smiling and dancing, it only wonders, politely, why did you leave me in "Ateya Alerhabeya"? Why did the first lady leave me alone suffering and turning into a non valuable entertaining tool? How did the last innovation breathe abandon my lungs? Suhair El Bably never replies, she only leaves the stage in the nineties wearing her vale. But she returned, to the TV this time. The TV that does not like her and that she hates by doing "Alb Habiba". An attempt to ignore the stage's sorrow; just like a lady who dumps her lover, in cruelty. She left the stage hurt, while her feet are still its heart beat!